Best of 2008: Late Adds, Honorable Mentions and EPs

Generally, my year end list is usually pretty huge and I have to divide it up into categories. This year, I've decided to add a bunch of albums to my favorites list that don't fit under the conventional "Best of" tag. You can check out songs from each album/EP listed below here.


The first set is albums that I discovered and enjoyed this year, but came out in the last calendar year (so called "Late Adds"). As usual, I've attached the albums that I could find on the internet (generally via Google). These albums come in no particular order and are as follows:

Teenage Cool Kids - Queer Salutations
This is one of 2007's best kept secrets. Teenage Cool Kids are from Denton, TX and have found a way into my heart. This album is a perfect example of what guitar pop should be. None of the songs are too complex, they're familiar in content, but original in sound and the band plays tons of house parties, which is completely awesome.

Underground Railroad to Candyland - Bird Roughs
I feel like I've told this story a million times before, but it applies here. Growing up around punks in the South Bay made me never want to listen to the Misfits. All the young punks were assholes and I thought the Misfits were dumb. Once I grew up, I realized I could appreciate them too and it made me feel better because I felt like I understood them at a more mature level. Whatever. Anyways, F.Y.P was a band in exactly the same predicament. Stupid South Bay punks loved them, so I had to hate them. Little did I know that Todd C. was one of the best pop-punk songwriters out there. F.Y.P was first, then came Toys That Kill and now there's URTC, which is probably the most party of the three bands. Even in his old age, Todd C. can still bring it.

Bomb the Music Industry! - Get Warmer
First of all, Jeff Rosenstock releases all of his albums for free. That is awesome. Secondly, he's still doing third wave ska proud. Third, his songwriting is brilliant, hook filled and the production is great. Fourth, it's free. Dude did a weird 8-bit version of Tom Waits' "Anywhere I Lay My Head" and didn't crap all over it like ScarJo did. He took the show on the road on the Asian Man Tour and sang "Holland, 1945" with Sean from Andrew Jackson Jihad like every night on tour. He's got a weird, ragged sense of humor and melody and really stretches out on this album, venturing into a bunch of genres; one of the best songs is "Unlimited Breadsticks, Soup and Salad Days," a sort of ragtime, Dixieland, weird, perfect song. Really, I got the album when it came out last year, but it took a while to grow on me. If I were to redo my list, this would probably be in the top 10.

Andrew Jackson Jihad - People Who Can Eat People Are the Luckiest People In the World
Honest, fun, wonderful dudes singing some of the most beautiful songs around. I can't believe I didn't have this album last year. I don't know why I didn't. This wouldn't have even made the list; it would have been on a separate list altogether it is so good. Yeah, you've heard a bunch of the songs on the original EPs, but the idea of AJJ putting this out on Asian Man alone is too good to be true. You have to admit that all of a sudden, Asian Man Records is one of the best labels out there.

Lemuria - Get Better
This is another reason why Asian Man is god among Punk labels. Lemuria is a band from middle of nowhere Buffalo, New York and they sound like the 90s in a great way. People say things like, "They sound like the Breeders if they had been punk" or "They sound like Discount," but I'll do you one better. If Jawbreaker had a girl singer, they would have been Lemuria. This album doesn't quite fit that description as well as The First Collection does, but think of this as their Dear You, where there's some great pop stuff and a lot of introspective moments you didn't see coming. And plus, they're just a weird band.

Rivers Cuomo - Alone I/II
These two albums sort of don't count as anything in my mind, but they've earned a spot on my Late Add/Honorable Mention list respectively just because of what they are. Cuomo decided he wanted to put out a bunch of his weirder moments on record and somehow arm wrestled Geffen Records into doing it, even though dude's into wearing hair nets and train conductor outfits now. (By the way, one of my favorite musical moments of 2008 was the "how's this for arts and crafts?" bit from "Troublemaker" Similarly good was Rivers' "normal" outfit from the video, dressing up as Tom Delonge for Halloween or something).


Honorable Mentions:

The Postmarks - By The Numbers
I feel like I owe the Postmarks a place of honor on my 2008 list just for their eponymous 2007 debut album, which became one of my favorite albums from last year. Their wonderful mix of chanson and samba is straight from the heart of MIAMI, FL. Since when was there a good band from Miami? Seriously. Can you name one? Gloria Estefan's band doesn't really count. Anyways, the Postmarks album from this year is actually a compilation of songs they did for eMusic. They did one cover a month for the year, with each song corresponding in number to the month it was released. They did a few predictable covers (Bowie's "Five Years" for May and Nancy Sinatra's "You Only Live Twice" for February) but there were a few wonderfully surprising picks as well (Ride's "OX4", "7-11" by the Ramones and "Nine Million Rainy Days" by The Jesus and Mary Chain). Basically, you can't go wrong if you're musically strong and doing songs that people already like.

The Ergs! - Hindsight is 20/20, My Friend
The Ergs! are breaking up and this was a perfect way to say goodbye. They're going to put out a few more 7"s before they go, which further proves that they were one of the most productive pop-punk bands out there. Mitch Clem wrote a funny joke about their 2007 album that goes something like this: the first guy says "Yeah, Upstairs/Downstairs (The Ergs! last full length) wasn't as good as The Ergs! best album." The second guy says something like, "Which one was that? Milo Goes to College?" Hindsight is 20/20, My Friend is actually a singles collection that contains something like 33 songs from the last seven years. They've only really put out the two albums, but they've also released something like 8 EPs and a bunch more 7"s. Good God, they will be missed.

The Gaslight Anthem - The '59 Sound
Here's another New Jersey punk band that broke into my list this year. I had heard about The Gaslight Anthem through my love of all things Bouncing Souls. I knew that these guys were a Souls favorite to open up home shows, so they had to be pretty good. Little did I know that they retooled the whole sound this year when they put out The '59 Sound. The first time I heard the title track, I was thinking, "Wait, isn't this supposed to be a pop-punk band?" but then I remembered that they were from Jersey, and Springsteen>Lifetime, so it was going to sound like The River. The best part is that the album got a super positive review on Pitchfork recently; the reason this is great is because some of The Gaslight Anthem's stuff has a harsher Tiger Army vibe than early 80s Springsteen. I really hope that the folks over there at the new Pfork home office in Williamsburg dig Tiger Army super hard.

Gentleman Jesse and his Men - s/t
This album opened my eyes to a whole underground of Atlanta pop bands that pal around with dudes like the Black Lips, but aren't in it for Vice Magazine's publicity or to be blogger darlings like Brad Cox. This band is way more into trying to rip Jonathan Richman's early style, along with other great garage pop from the early 70s, and they wear it well.

Ryan Adams and the Cardinals - Cardinology
This album didn't end up on the year end Top 20 because it wasn't that good, but by Ryan Adams standards, this is an amazing album. It's super concise and focused. None of the songs are really throwaways and dude hasn't written a song like "Go Easy" in a while. It's great and I welcome Adams back into the fold. I can't wait for his next seven albums. I just wish that he would record that Willie Nelson album without Willie or release another solo album.

TV on the Radio - Dear Science
COMMAGATE 2K8. Much ado about stupid punctuation and non-issues surrounded this album, when the music really mattered. I'm always impressed by what TVOTR puts out and this is no exception. I think to myself, this band keeps getting bigger and they keep getting worse, but somehow they still manage to impress me. I thought their late night appearances this last cycle were terrible, playing one of the worst songs of the year "Dancing Choose," but I still love it. As Jeff mentioned in his best of post, the production is super slick. Sitek really stepped up his game after doing the ScarJo album, also probably because TVOTR is big enough to have a larger production budget. Anyways, the real reason I love this album is the fact that it is a PERFECTLY coherent album. The individual songs taken out of the context of the album sound TERRIBLE, but when put together, they are a force to be reckoned with.

She & Him - Volume One
It's weird to think that this album actually exists. It's good, but man I burned out on it fast. Actually, it makes me want the next M. Ward album that much more, even though I'm setting myself up for disappointment.


Best EPs of 2008:

...and You Will Know Us By The Trail of Dead - Festival Thyme
Here's the moment all you Texans have been waiting for: Trail of Dead getting weird again! The last few albums were weird, but in a very calculated way. This is a return to form for Conrad Keeley and company, playing the insane "Isaac Brock is normal compared to us" card. Just look at the badly CGIed pirate cover for this EP. It's like some Final Fantasy VII stuff, which means it's awesome. As a Trail of Dead fan, you can trust me when I say that the music is not disappointing.

The Raveonettes - Beauty Dies/Sometimes They Drop By
What a weird band that I totally love. Seeing them live over the summer pretty much iced them as one of my favorite bands of all time. Yeah, they totally rip on the Jesus and Mary Chain and all those other bands, but they're so good at it. These two EPs came out within weeks of one another and are both pretty stellar. The song on the muxtape was used in a super indie Gap ad campaign that asked a bunch of bands to write songs based on colors. Dntel did a song called "Red" and the Raveonettes contribution waded in very familiar territory ("Black/White"). Might be one of their best songs.

Final Fantasy - Plays to Please/Spectrum, 14th Century
Also a weird dude that makes great music. His album was supposed to come out this year and blow everyone away, but instead, Pallett decided to deliver two ultra weird concept EPs that blew me away. The first is a tribute EP to a Toronto band called Deep Dark United. The songs are all super gay and sort of scary strange, but stunning as usual. It proves that once Stephen Merritt dies, his seat will still be super warm. The second EP is actually the better of the two and consists of weird "simulated" field recordings Pallett did with members of Beirut. All the animal noises were supposedly just all the people whistling and stuff, which makes it that much more awesome, but what really kills it is the song "Blue Imelda." The EP is about a magical land called Spectrum and the song is about some such nonsense, but it is one of the best songs this year, hands down. It's like the "Postcards from Italy" of 2008.

Andrew Jackson Jihad - Only God Can Judge Me
Like I've said before, Sean and Ben sing some of the most honest songs about life I've ever heard. There is not a mediocre song on this whole EP and you should buy everything you can from them the next time they roll through town because their stuff actually goes out of print FAST.

Ted Leo/Pharmacists - Rapid Response
Now, I thought two of the four songs on this EP were pretty bad and they were the two Leo originals. He did two awesome crust punk covers and put the songs on the internet in a matter of hours with album art and everything. Basically, this EP is just a testament to just how important Ted Leo is to punk rock. He could crap out a brick and release it and his music would still be a statement.