It's 3AM. Do you know where your children are? (MUXTAPE #2)

MUXTAPE

MUXTAPE #2: Summer Shimmer Pop
Summer is upon us! Let's run in the streets and stay out late! The street lights don't go on until 8! We can swim in the ocean, ride seafoam green tandem bikes and get wild!

There's something so great about the stereotypical "American" guitar tone. The only way I've ever been able to describe it is as "shimmery." Fender amps with single coil pickups, high on the mids; all of those things sound like summer to me. I haven't been sleeping all that well lately; the heat, along with the typical "end of the school year everything crisis" mentality has kept me up far too late the last week. All I can say is that I'm going to listen to this muxtape a ton until summer is here.

1. Jeff Enzor - "Filtered Disfunctions (Our Broken Floors)"
Doesn't particularly fit in with the theme in terms of sound, but in philosophy, this works perfectly. This song should be on modern rock radio. No exaggeration there. And, for the record Jennifer, this is not your Jeff song. It should be for everyone. The world will know of this song soon enough.

2. Julie Ocean - "Ten Lonely Words (Long Gone and Nearly There)"
Dischord and DC indie pop vets team up to write one of 2008's best boldfaced power pop albums. There is nothing more summer than power pop.

3. Bruce Springsteen - "For You (Greetings from Asbury Park, NJ)"
I've been so stoked on this album over the last month or so. Subconsciously I can feel summer coming and this album has stood for everything I want my summers to be; it is also the blueprint for all great summer albums in one way or another.

4. Rhett Miller - "Hover (The Instigator)"
Rhett Miller is not only one of the most handsome men in rock and roll, but he's also one of the better songwriters. The Instigator was written mostly by Miller, but was produced (and obviously handled) by Jon Brion. There's so much of the witty Brion charm on this album, it's nearly irresistible.

5. Limbeck - "Yeah, Totally (Hi, Everything's Great vinyl first pressing)"
One of the things that's always been most disappointing to me about Limbeck is the fact that they've decided to relegate some of their best songs to b-sides, tour EPs and compilations. This is a good example of that. It bridges the gap between their power pop incarnation and their current alt.country identity perfectly. I've always loved Limbeck's perspective on music and life, which basically boils down to "life is awesome, let's have fun!"

6. Jason Anderson - "Watch Your Step (The Hopeful and the Unafraid)"
The "life is awesome" school of thought carries over here. I know this song is on Justin Conway's muxtape, but I couldn't leave this one off, because it's just too perfect. It's a beautifully worded love song that has a priceless sense of humor, without losing its seriousness: "Every other day or so/I google image search your name/but there's only one picture/and it's always the same/I had to memorize the lyrics/I downloaded this mp3/I printed out the bass tab/spent my way around the key/I'm working on a version now/to jog your memory/maybe a jog seems ambitious/maybe we should try".

7. The Hold Steady - "You Can Make Him Like You (Boys and Girls in America)"
Though this album came out too late in the year to be a summer album, I think it should be added to the summer album canon because of its unabashed stadium spirit. The thought of hearing Craig Finn screaming out "Take Me Out to the Ball Game" at a Mets (or Twins) game is just too good.

8. Stone Temple Pilots - "Plush (Core)"
Originally, this was a perfect 8 song playlist, but I have the obsessive need to be consistent with stupid things like muxtape, so I added this piece of flair. All of STP's singles were pretty good. The idea here is great and the hook is good, but the song is way too long.

9. Paul Westerberg - "Stain Yer Blood (Friends OST)"
What's with those Westerberg songs on the Friends Sountrack? I don't know, but I love them to death. It sounds like the late 90s to me, and God knows I love that. This song actually sticks out to me because it just sounds like the Midwest in the mid-to-late 90s. It actually sounds a lot like a Get Up Kids song, which is weird considering the fact that there would be no Get Up Kids without the Replacements, but whatever.